Tag Archive: Einstein


there is that period of time stretching from the moment of death to reincarnation.

we lie / stand / breathe / hold our breaths / while waiting / the old ones / the new ones / the barely born > we shudder as shutters are removed > it begins with a suddenness like a QUAKE then romps merrily into simplicity / classical solos & head(s) lilting loping a non-frag-mental journey of intervals into playful decisive solos that erupt instantly ferociously without warning >

StartFragment   EndFragment > ERG (one unit of applied energy) > there is no shortage of ERGs or urges in this music & one of Michael Moss’ goals is to not just theorize but to figure out how to apply that applied energy… within & without restrictions… bound by yet beyond CATEGORIES & BOUNDARIES…in a sense creating a new category of categories.

 

there is commerce & then there is commencement > where composer/pianist Moss’ journey begins & ends yet doesn’t > there is sudden abruptness / sweet finicky melodic fiddling / but one thing there isn’t > accidents > there are no accidents > oh possibly a mishap here or there > or a well planned accidental collision as things increase / decrease & coalesce / swing from one tempo to the next / at times like “thunderbolts connecting heaven to earth” (as real as they are symbolic) &/or vice verse-a within the freedom of expression that so binds the Accidental Orchestra together \ no blindfolds / heaps of classic servings of jazz all cooking together to form a stew of extremes / tastes varying yet always complimenting / all forms / small slices of kitsch blending with huge portions of irony & seriousness \ a BRIDGE toward the TREE OF LIFE > spanning centuries / moments / seconds / near fatal fates coupled with THE STREAMING MIND OF (a) GOD which may or may not exist / consume / exume \ angels devils wizards they are all here > merry > at times dark tricksters & what Moss refers to as DEATHEATERS – from its very inception we are pulled into a world | perceptions conceived / formulations > dark entities always made lighter by the precarious yet sure footed approach to SOUND > here is prime territory / prime real estate / prime cuts / primal instincts / scored / untethered / unadulterated (un)harmonious \ tabla-d and tabled like time inside outside of itself \ like gourmet magic dragons tailing fires / that never drag on } vintage symbiotic symbols / music not called in  farmed out or  for rent > revealing the prospects of its own vitalized future > heated impassioned intelligent witty / MOVING / never catering to tastes though ever so tasteful / the good life intertwined with heartache and imminent possibilities of our impossible yet inevitable ends / dancing along until theory itself is refueled then runs out of STEAM / a g(h)as(t) or a gasp / where theory itself runs smack into reality i.e. the emotional subtext & texture of BEING / upheaval thru controlled filtering \ cycles of birth & rebirth / a world of (im)precise ever changing voicings toppling upon itself as quickly as it reforms (A CIRCLE constantly consuming itself in its own infiniteness) > OVERDRIVE of the other whirld > dissonant /assonant / accented alternating registers / syntactical structures < instilling grateful foremost mechanism / magnetism / over time sh(r)edding itself then re-organ(ic)izing… beyond labels > what MOSS’ goal as composer/ /author of his own life’s work symbolizes / to promote his ideas with as little hindrance as possible yet to allow for the individual artists to always shine through > how things fit & work & sometimes don’t work within this puzzle / finding musicians who are top notch who like to work together to remain individual while creating the WHOLE > it’s not so much about complications within the compositional framework but straight ahead rhythms that repeatedly find their way inside the sections / tri-tones – way of making sounds that do not resolve…or for that matter dissolve… what delineates the past leads toward the future toward death & to what happens afterward if you happen to be lucky enough to reach that THROWN OF GOLD… where things might be rosy / foggy / GO(l)D-like yet where NO THING is ever quite RESOLVED… where hope & less than hope is always kept alive where the question is the answer… where “don’t hold your breath” means breathe a bit more > there is a renaissance coming whether we see it or not there is always minute second-by-corpuscular second renewal where the Moss writes his ideas within this seemingly unsafe sanctuary of the resolute idea of NO RESOLVE…where illness & rejuvenation are always at odds where music is the healing force hinting always at “intuition & creativity”… “a sense of urgency”…“fluctuating colors shades textures”…”shifting mirrors of distorted reality…pre-psychological mythical tradition… mysterious…foreboding…but ultimately ecstatic… pregnant with possibility… establishing a disturbing atmosphere…” where the music takes you over. where the spirit that is within us & beyond always hovers amongst us. the soul. heroic. quantum. contrapuntal. inspiring. unconscious. where one should take chances but never leap before one looks…never fail to see where one is walking / MOVING \ venturing into … tho contradicting myself as i so often do… LEAPS OF FAITH can oft result in amazing results… as MOSS & the ACCIDENTAL ORCHESTRA more often than not have proven…tripping over a curb can definitely have its rewards. So “challenge your ears…”   get into “an arc of melody”… (a kind of Noah’s ARK)…venture into the music & therefore into “…another state” of BEING.

 

dalachinsky nyc 2017

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WAVE/PARTICLE :: UNCERTAINTY=POSITION/MOMENTUM

In Einstein’s 1917 paper The Quantum Theory of Radiation, photons stimulate the emission of photons by striking and being absorbed by molecules and by raising energy to the point at which new photons are emitted, thus lowering the energy (coincidentally, the theory behind the MASER, LASER, and quantum entanglement) by utilizing the equivalence of mass and energy (e=mc2). This posits the existence of the light quantum, radical since photons were not recognized as yet by the physics community, hence the title. Einstein felt his theory had a weakness—he really wanted there to be a “union with wave theory” and found this to be the greatest weakness of the quantum theory of radiation. He is searching for something but cannot reach it. He knows there must be something about this that explains particle-wave duality but cannot come up with it utilizing the level of experimental knowledge of the time, and cannot therefore arrive at ways to experimentally verify what he intuitively “knows” is true.

Now (2014), a hundred years later, the gap is closed. New work (http://www.huffingtonpost.com/2014/12/24/quantum-physics-easier-to-understand_n_6370570.html) suggests wave and particle duality are the equivalent of Heisenberg’s uncertainty principle in which there is a relative duality between position and momentum. That is, like particles vs. waves, position and momentum can only be measured separately—if one measures a particle’s position one can no longer measure it’s momentum–but are really identical.   Vice versa if one measures its position and knows where it is, how fast it is going can no longer be measured. This article states that they are relative—two sides of the same coin.  To put it bluntly, momentum and position are relative, just as space and time are relative and particle and wave are relative.

The equivalence principle founds much of Einstein’s later work and led to the generalization of the Special Theory of Relativity. It took from 1905 until 1916 to attain this goal in the Theory of General Relativity, which forced physics to relativize space and time. Now the principle of equivalence leads to a further relativisation—particle and wave are now relative not only to each other but to position and momentum. It took a century but Einstein was proven right again. What interests me is the implication that there might be a bridge here between quantum theory and relativity theory.

The implications of equivalence can immediately be applied to cryptology. What simple mathematical formula describes this four-part harmony between matter, energy, where that matter is, and how fast it is moving? With so many variables, we should be able to avoid anyone hacking into and stealing records of our credit cards because they are encrypted on so many levels. For me—leaving cryptologists to the Turing test—I ask the question: what simple mathematical formula describes this four-part harmony?            I sense we are approaching unity—the nexus of Einstein’s model of a macro universe and the Copenhagen school quantum theory of Bohr, Heisenberg, Pauli, and Schrödinger. This nexus fascinates me because I do not believe Einstein would have predicted it and neither would Heisenberg. This may throw light on whether or not Schrödinger’s cat is alive or dead.

Einstein’s quest for a unified theory extends: Kaluza-Klein theory adds a 5th dimension, string theory adds six more to that, and still there is no experimental proof that there is a 5th or an 11th dimension. The first—Kaluza-Klein— disappointed Einstein secondary to lack of data, and the second—string theory/M theory—disappoints a couple of generations of string theorists. What if the results of the classical double-slit experiment—the essential paradigm of particle-wave interaction—represent Einstein’s idea that both wave-particle and uncertainty theory are relative to one another? Well, they are, but only if measuring momentum or position are flip sides of the coin of the principle of uncertainty and there is an equivalence between this and wave-particle theory.

I visualize a multidimensional propagating wave whose particle manifestation can be measured either as velocity or position. It’s like one of the Star Trek movies came to life and you can beam up Captain Kirk. Add to this the relativity of space and time and I see the Tardis ripping through the fabric of the elegant universe.

Too bad the article I read skims the finding because, even though I AM NO MATHEMATICIAN, I’D LIKE TO SEE SOME FORMULAE. THE NEXT STEP IS THE FORMALIZATION OF THESE EQUIVALENCIES SO AS TO MAKE PREDICTIONS. THAT’S when the pedal hits the metal!

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