Creating understanding of the scalar adaptation of 12 tone modal threads of melody making connections between multi universes of physics and meaning making as it crosses thresholds of boundaries
Collegno constructs and time-bending spacetime are really easily transformed into musical values. Just as all physical values can be transformable into musical notes. Schoenberg’s twelve tone scalar construction out of any notes irrespective of but relative to a central thematic scale such as the making of a “tune” from scattered fragments of notes at varying distances from each other, not seen as coming from western and eastern scales is a mutation of sorts from DNA to RNA, from major, minor, augmented, diminished arpeggios to 21st century compositional techniques both in and not-in our shared common notational systems.
Once these connections between different sets or universes are perceived as notes we can use notational systems within the sets or universes to create meaningful things from them. This God-like creation is commonly referred to in creation myths. Creation mythology is as relevant today and mathematically precise as a poem is to words, a pastel is to painting, high art is to the physical universe.
My next project is to compose a 12 tone scalar architecturally determined manor, making lemonade out of lemons. Using as a springboard my studies into the compositional results of jazz masters including John Coltrane, Eric Dolphy, Adam Lane, Charles Mingus, Subramaniam, Bill Evans, Miles Davis, Albert Ayler, Duke Ellington, Scott Joplin, Arthur Marshall, Gil Evans, Ryuichi Sakamoto, Eleanor Spiers, Nasheet Waits….
m2theory 