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Nspacetime = 0

Nspacetime = 1

0 = 1

0 = spirit

1 = spirit

N0 spacetime = N1 spacetime

N0 spacetime = light matter

N1 spacetime = dark matter

Each N–N0 and N1–have unique laws of physics and interact according to them.  Notes, words, expressions of vibratory nature and relative levels of acceleration constitute N, 0 and 1.

Every part is of the whole and is entangled.

Parts are words, letters, narrative, poetry.

Notes are vibratory and interact on all levels, just as do words.

Matter and energy inform words, notes.

Dark and light inhabit dark universes and light universes and are organized into dark and light centers of energy/matter/spirit and interact and can be formed into structures, maps, essences of greater transparency or lesser transparency.  Quality is defined by transparency and dischord (discord) shapes transparency. Dischord and transparency coexist to bring about chiarascuro, depth, flatness, and limit.

We participate in this in real and in projected form.

If physics is the king of the sciences, then psychology is the monad of the sciences encompassing all sciences, spirit, chaos, order, elemental and civilization without end:  DISCUSS.

I’m changing. Up till now I’ve insisted I did not have the self-promotion gene. This gene is not expressed, i.e., functional. Time to express it. In the interest of playing more music in front of others. Widening my field of music means playing music I haven’t played in years. Been working with phenomenal vocalist Lex Grey and incredible drummer Sonny Rock up in the Catskills which extended into sitting in with more rockers up there like Tas Cru and Murali Coryell. Re-entered the new music downtown NY scene–playing with Rashid Bakr/Charles Downs’Centipede with Ras Moshe, Larry Roland, Billy Stein, Matt Lavelle. Sessioning with Steve Cohn. Getting down with Mel Nusbaum, Billy Stein and ZONE. Put out INTERVALS, a cd with Billy Stein that breaks down all the barriers. Ready to do it again. And working with and putting out a cd,New York and Me, produced by NY/Santa Fe storyteller Regina Ress. And the third cd, Natural, that came out this year on old buddy Mike Mahaffay’s label in a group called the Willamette River Pirates caught me playing with the West Coast new music scene. Also curated the first night of the 7th Annual Westbeth Music Festival and played in four different groups including ZONE, Michael Moss / Billy Stein Duo, Dave Mann Mannmadesound, and The Raytones. And, released two YouTube videos of Billy Stein and myself.

Next up a west coast tour in the spring. Billy Stein and I are performing March 20, 2013 with my old buddy pianist Jack Bowers in the Kuumbwa Jazz Center in Santa Cruz. Reaching out to other venues on the left coast.

Coming to my point…. My self-promotion gene is starting to express itself, as am I. I’m composing new music and want to share it with others. You can purchase INTERVALS on this webpage. I’m playing with as many people as possible. Help me climb that mountain. I’m itching to expand.

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Thank you for your response. ✨

Michael Moss Billy Stein performed Pyramid on August 3, 2012 at the WestbethMusicWorks First Fridays Concert Series.  Moss Stein released their duo CD, INTERVALS, August 26, 2013, available at CDBaby and iTunes.

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Thank you for your response. ✨

Ok, this idea sounds meshugah to one of the physicists I spoke with at the end of a salon entitled “Refining Einstein.” It was part of the World Science Festival, 2013. I volunteer every year and get to hear smart people talk about Einstein and quantum physics. This year the salon participants decided to avoid the quantum physics part and devoted their attention to defining and refining the geometry of time. Which is ok if you didn’t know that they were supposed to relate time to both the macro and micro, to Einsteinian spacetime and to quantum mechanics.
One of the questions from the audience wondered whether or not the absolute zero of time wouldn’t be the big bang at its inception when time did not yet exist. In other words, time originated with space. That makes sense since time and space are so intimately related that the geometer of space absolutely defines time and time cannot be separated from space. Gravity is the great force here as mass and energy warp spacetime, slowing and accelerating time itself. In fact, gravity became the 800 pound gorilla in the room of the salon and time and space were inseparably linked with the effect mass and energy have on spacetime.
But what happens to gravity in the quantum world where mass/energy does not have much effect on subatomic particles? Gravity is comparatively weak in spacetime; in quantum levels there is no valid theory of gravity. Quantum loop gravity theory is one effort to define gravity on the quantum level but is as yet less than authoritative. The distances are so short and the energy so high that compared to the weak force, the strong force, and random events gravity is still enigmatic.
Time and gravity are structural elements but neither have clear roles when the issues of singularity or entanglement come up. The numbers in the mathematical equations reach for infinity at the center of a black hole—a singularity—relative to time, space, and are thus undefined. If your equation results in infinity, the result is invalid. This is not the way to go about working this out.
My insight: entanglement, defined as two particles so involved with each other that action or measurement of one changes the other instantaneously no matter how far apart they are states that no time is spent communicating through spacetime. This “spooky action at a distance” (Einstein) has a real claim on reality. Just don’t ask me what reality is. Entanglement reflects a state of no-time. The absolute zero of time which I choose to ascribe to the state at the period of origin, named by Fred Hoyle as the big bang, is also timeless. My question: at both the singularity, and in entanglement, time n’existe pas. Therefore is there not some relationship?
The physicist I spoke with adamantly denied a relationship between singularity no-time and entanglement no-time. He did not want to go into it. Nonetheless, I can’t stop thinking about it.
My thinking spread out, like an electron wave. What if photons and other massless particles that travel at light-speed and therefore do not “experience” time are aspects of this phenomenon of entanglement and singularity? Really, the way I understand it, gravity slows down time, and at the singularity time stops. There might be a connection. Some would say that all particles are entangled because all energy and mass emerged from the singularity of the big bang. I am not about to say we are all one, though that would explain a lot, such as the existence of the mind and our ability to communicate with others instantaneously, experiences anecdotally verified but not yet experimentally validated. We could branch out into the concept of synchronicity, a bildung co-created by analyst Carl G. Jung and physicist Wolfgang Pauli. No, I want to correlate the science of quantum mechanics with the science of spacetime. I do not believe my question is without meaning, order, or even relativity.
Time for me is special. I love time. As a musician I consider time to be the skeleton upon which the flesh of music is hung. I know that the brain sets up sympathetic vibrations of action potential among a group of listeners to music that captures and unites a crowd. Time for me is the essence of music, and even when musicians say they are ignoring time when they play freely, without time, I think time is implied. You can hear time in the energy. Time slows down at lower energy levels of expression and speeds up at higher levels of energy. Playing sometimes feels like I’m riding a wave that moves faster than the speed of thought. I surf the wave of time as notes pop out of the quantum foam of superposition of notes. I am very familiar with time as both a construct of creativity and as a value in physics. I am fascinated with time. And no time.
The physicist asked me why I asked the absurd question: is there a correlation between the absolute zero of time and quantum entanglement? I could not believe I had to explain: there must be an overarching construct relating the non-existence of time with both the singularity and with entanglement. Isn’t it obvious?
Now that I think about it, might there not be some form of equivalence between the speed of light and no-time? Time n’existe pas at the speed of light. Photons do not age. And photons, once emitted from quantum interactions, do not accelerate. They are always going at the maximum speed allowed. I have always been fascinated by that fact. A photon is emitted, and no time exists, and it travels at 386K miles per hour. It is as miraculous and ridiculous as quantum entanglement. The double slit experiment with its interference waves of particles is just as mysterious. How can there not be some kind of equivalence?
Now, you might think that I am just blowing smoke because I do not refer to mathematical constructs. You are correct. Smoke is ineffable, exhibits a chaotic lack of form, and appears at the higher end of entropy. That is, smoke has no form because it is the end product of other interactions. It has high entropy. It has low meaning content. And I am out there blowing smoke, making meaningless statements born of pure intuition. I do not wish to resort to the obvious—tell me why it can’t be true?—argument. Who cares? It’s just that I trust my intuition. This question comes from a deep understanding of time and what you can do in space with time. All I need is Einstein’s brain to construct a true gedankenexperiment. Yes, I know I am Einstein’s distant cousin, but I don’t have his mind. I do, however, have a small bit if his attitude and focus, though at an exponentially dimmer wattage. “What if?” the absolute zero of time and entanglement mean something bigger? I’d like to know.

Hi–AGAIN.  The collaborative band ZONE, featuring myself on tenor, soprano, flute, and clarinets, Mel Nusbaum on keys, Billy Stein on guitar, Robert Edwards on electric bass, Lou Selmi on drums, and Yogui on congas and percussion, performs Friday, June 7, 2013 in the Community Room at Westbeth.

Where:  Westbeth Community Room, 55 Bethune Street

When:  Friday, June 7, 8 PM

Tickets:  $10

We’re adding a couple of players to last year’s band–guitarist Billy Stein and Yogui on congas/percussion.  Since then Billy and I have recorded a cd that we will release early next fall.  I’ve been playing with these guys going into our 4th year and you can really hear it.  Plus, Lou just purchased Elvin Jones’ personal drum kit and is so excited he has energized the entire band.  Hope to share a glass of wine with ya.Image

Tonight, Chazen Sabrina Lipton, the GRS choir and GRS band plus a ringer–myself–will celebrate Yom Haatsmaut (Israeli Independence Day). I love working with Sabrina…a wonderful spirit and a beautiful voice. Let us pray that music is truly the healing force of the universe.MM&BS  0408

Billy Stein and myself–going into the studio Friday night and Saturday afternoon (Feb. 22/23, 2013). Systems Two–best studio–lusting to record on Coltrane’s ribbon mic.
Practice. Putting life and soul into notes on a page. Taking ideas from my body and consciousness and storing them in cache of creative moves to make in unexpected moments of inspiration.
Two fractured ribs: got hit by a snowboarder two weeks ago and wiped out at Hunter Mt. Skiied a couple more hours–fool! Thought it was just bruised. Then made a gig a week later with Billy and storyteller Regina Ress at famous Provincetown Playhouse in the Village. She released CD “New York and Me” with myself making “musical comments.”
Still in pain but still breathin’. Discovered I have two sets of muscles–one to expand my rib cage which hurts, and one to play on which involves pushing out air. Turns out music is not only the healing force of the universe, it is the healing force of my body. Still playing.

New York, In Love

Image

 

Regina Ress, a wonderful storyteller, and I will be appearing at the Provincetown Playhouse in the Village Friday, Feb. 15 at 8 PM.  Located at 133 MacDougal, corner of Bleecker, follow link below for tickets.  We are celebrating the release of Regina’s CD, New York and Me.  I provide music in between each story.  I will be working with guitarist Billy Stein.  We really look forward to seeing you in this special performance at such an historical theater (watch out for the ghosts of Edna St. Vincent Millay and Paul Robeson).

Regina Ress , storyteller, actor, teacher, writer and long time Greenwich Village resident has performed stories of love and life from the summit of  Kilauea Volcano, Hawaii to  Copacabana Beach, Brazil, with stops across the US, Central and South America, and Europe. Many of her New York stories have been heard on NPR outlet WFUV’s Cityscape. When she is not in NYC, Regina is Storyteller-in-Residence at the Santa Fe Hillside Market, an artists cooperative and event space. This is her 12th year performing in this storytelling series and 10th as its Producer.  www.ReginaRess.com
Guest Musicians
Reed player and composer Michael Moss has been involved in the music scene for many years leading his own musical groups including Mike Moss/4 Rivers and Free Energy.  He has played with an eclectic group of musicians including William Parker, Sam Rivers, Dave Liebman, Dave Burrell, Badal Roy, and storyteller Diane Wolkstein.  Moss is President of 4th Stream Records and ERG Publishing, past-President of Free Life Communication (a musician’s co-op in NYC), and is the recipient of numerous Meet the Composer and NYSCA grants.  www.m2-Theory.com
For the past 30 years, native New Yorker guitarist and composer Billy Stein has been involved in multiple music scenes in and around NYC,  including R&B, funk, blues, rock, salsa, bossa nova, as well as both mainstream and free jazz.  The many eclectic musicians he has performed and recorded with include legendary bassist Milt Hinton, mainstream jazz icon Sahib Shihab, Latin composer Joe Blanco, the rock group The Coasters, and free-jazz drummer Rashid Bakr. Stein recently recorded the critically acclaimed CD “Hybrids” and is a recipient of a grant from the National Endowment for the Arts.

LIVING A QUANTUM LIFE

My wife, Judy, and I were having dinner with our friends Billy Stein and his wife Daniella tonight and over a wonderful steamed whole fish Billy asked me to explain to Daniella what I was trying to say when I used the rainbow metaphor which I published in the last two posts. Rainbows, expanding on my understanding, do not and do exist at the same time. They are not three dimensional, you cannot touch one, and are not concrete, plus no rainbow is the same for you as it is for me, I said. Water droplets prismatically reflect back to the viewer photons of varying wavelengths so we see ROYGBIV in one order, and VIBGYOR in the second order of rainbow (Red, Orange, Yellow, Green, Blue, Indigo, Violet). The sun must be directly behind us and the rainbow appears directly in front of us; therefore my head being in a different place from yours, we cannot see the same rainbow, even though we can share it, making believe we are seeing the same one.

I went on to say the metaphor hit me when I was reading The Sun’s Heartbeat (Bob Berman, Little, Brown, 2011) and Berman described rainbows. The rainbow exists in spacetime, yet photons exist in quantum reality. We are connected on the quantum level in more than one way, something I find pleasing and satisfying (see earlier posts in M2-Theory.com). But, while I may be in the same light cone you are in and we converse within that context, or continuum, we cannot be experiencing things in the same way. I think we carry around our own frame, look at things from a slightly different place, in a different spacetime from each other—everything being relative. That I can talk to you depends more than upon sound waves and syntactical structures within our forebrains, Wernicke’s area and Broca’s area. My heretical and unproven hypothesis suggests quantum entanglement accounts for some of our ability to understand one another—again something I develop more fully elsewhere (MIND AND MATTER, MIND AND LOGIC, MIND AND ACAUSAL MEANINGFUL “COINCIDENCE”: IS MIND A QUANTUM PERCEPTION OF A BRAIN SITUATED IN SPACETIME?).

I was starting to reach a wall so I thought it might help if I brought in another wackadoodle idea of mine, that quantum superposition helps artists make artistic decisions faster than thought. Given that we share a light cone—an area of spacetime that is defined as the distance between two objects that light can travel within, and are entangled—an indefinable distance in which subatomic particles that are entangled interact instantly, whether within or without the light cone, and given the concept of quantum superposition in which multiple possible events may occur but have not, e.g., Schrödinger’s cat, I can show how I as a musician can play the next note using a decision process that moves faster than thought. This counts as a big idea.

Any artist faces choices. Poets must choose the next word, artists the next brush stroke, sculptors the next chisel point, musicians the next note, composers the next notes, dancers the next move, and so forth. Not done in a vacuum, preceding notes—for the musician, to stay within a medium with which I am most comfortable but which translates into other mediums and art forms—do not causally predict notes that follow. Yes, there are parameters; there is a structure of a tune, a history of how notes have been used within tonal structures, a history of what other musicians played on those tunes, and even histories of what the musicians you are playing with now have done with you. At any point while improvising, I get to play a range of notes. Think of all of them in potentia, potential notes that are in a state of quantum superposition. The notes up till now allow more than one note of differential duration and power to be played, or as I prefer to think, for the wave to collapse. Collapsing waves are mathematical metaphors which are useful and descriptive. If the music is a wave, then the wave collapses on further notes by all the musicians in the context of where the wave comes from, its propulsivity, direction, depth and energy.

I choose a note. The wave collapses. An entire universe comes into being. An infinity of universes opens up of notes in superposition. It is as if the notes just happen. I cannot think that fast. If I stop to think I become paralyzed—it just has to happen. You’ve got to learn to let it go. Faster than thought, it is.

A brief example may be found in my Youtube video on an earlier post in this blog (Stein/Moss “Riverside After Dark”).

Daniella got it. Billy caught it. Judy was it. That is what it is like when we are in the zone. The highest levels of creativity occur in that zone of faster than thought, superluminal, entangled connectivity. We are individuals connected in, entangled in an elliptically called creative process.

For myself I feel like I am surfing a wave. The wave is complex and alive—can I shape my way through it by becoming the wave and simultaneously finding my individual arc through it, around it, till I come back to shore (the shores of consciousness)? That would be living the quantum life.

Dreams are like rainbows—they are not objects, have no existence in spacetime except for in our unconscious, but are consciously experienced. Unlike rainbows, they express something. In a previous post I suggest rainbows are subjective melds of spacetime and quantum physics. What are dreams relative to this melding? How are reality and dreamtime superpositioned?

C.G. Jung once described dreams as potential. Jung would not embark on a project until a dream revealed to him the pathway and made available the energy to accomplish his goal. Building upon that, dreams provide the potential energy and the symbol; ego functions to bring dreams into the spacetime. If a dream is a metaphor for what is possible, it is a metaphor for superposition.

Like a rainbow, superposition is quantum possibility in a broader spectrum. We perceive the visible light in the electromagnetic spectrum even if there are more wavelengths we cannot perceive. They are out there but we are not sensitive to them. Dreams are like the things we cannot perceive but they are out there nonetheless. How can I make my dreams come true?

I tell my patients to put into some artistic form what their dreams tell them. It does not matter to me if they paint them, play them, work with clay, poetry, movies, movement. Just bringing them into this world crosses the threshold between quantum and relative reality. It is like bringing a rainbow into the world.